1858-1860 Fr. Phillip Lynch
1860-1862 Fr. J. G. van Os
1862-1865 Fr. Patrick Joseph Smyth
1864-1874 Fr. John N. Molloy
1875-1876 Fr. A van Lopick
1876-1877 Fr. Anthony Theves
1878-1884 Fr. J. Gangneux
1884-1904 Fr. Petras Smyth
1904-1910 Fr. Alfonsus Stainforth, CSsR
1910-1913 Fr. G. Jenssens, CSsR
1913-1920 Fr. Joseph Hermans, CSsR
1920-1923 Fr. G. Rabaey, CSsR
1923-1924 Fr. O. Cuvelier, CSsR
1924-1924 Fr. P. van den Bemben CssR/
1924-1925 Fr. P Taverniers, CSsR
1925-1927 Fr. H. Claeys, CSsR
1927-1937 Fr. August M de Ridder, CSsR
1937-1938 Fr. Joseph Strijckers, CSsR
1938-1940 Fr. F. Bergmans, CSsR
1940-1943 Fr. Felix Boogaerts CSsR
1943-1946 Fr. Albert Roberge, CSsR
1947- 1948 Fr. James Dwyer, CSsR
1948-1953 Fr. Joseph Duerloo, CSsR
1953-1955 Fr. R. Van Den Berghe CSsR
1955-1956 Fr. Joseph Hermans, CSsR
1956-1963 Fr. John Bergmans, CSsR
1963-1967 Fr. Joseph Duerloo, CSsR
1968-1969 Fr. Michael J Brosnan, CSsR
1970-1981 Fr. John Bergmans, CSsR
1982-1986 Fr. Jaques Nyssen, SVD
1986-1987 Fr. Ed Herberger, SVD
1987-1991 Fr. Edward Lawlor
1991-2000 Fr. Frank Power, SVD
2000-2003 Fr. Larry Finnegan, SVD
2003- now Fr. Bernard Latus, SVD
Saturday, October 11, 2008
Saturday, May 31, 2008
Gospel Concert
ValLimar & Tom perform ‘In the Power of theSpirit’
by Eleisa L. Maynard
To all in need of Good News, Greetings! To all who miss the spiritual aspect of the annual Music Festival, a word. Allow me a small amount of your time in which to introduce two premier performers of Gospel music who will be bringing their considerable talent to our shores for ONE NIGHT ONLY, this June. In the official Artist’s Biography presented by her promoters, ValLimar Jansen is referred to as a “highly regarded singer, cantor and recording artist. She is also a college professor, a leader of worship and prayer and a workshop presenter at conferences across the United States.” But that is
only a fraction of the story of the woman who has graced the world with her amazing voice.
Born in Killeen, Texas and raised for the most part in Alexandria, Louisiana by her mother and step-father, ValLimar has been singing sacred music since she was five years of age. She “received most of her training in music and performance at Howard University in Washington, D.C., and she holds professional degrees in the Arts from California State University and the University of California”. To date, she has “sung and toured professionally” as a recording artist, throughout the
United States, Europe and in Japan. Additionally, she was cast as Beneatha in the European premier of the Broadway production, Raisin and has co-authored “a onewoman musical about the life of Ethel Waters” - which “received special commendation from the Kennedy Center in Washington, D.C.” This is what is known about the public life of Mrs.
Jansen. However, in interviewing her for this article, I was pleased to discover that success notwithstanding, ValLimar remains a woman of simple yet powerful faith who considers herself blessed to be able to share her gift of music with others. Married since 1994 with three children, her family is based in California and is comprised entirely of artists.
Her husband Frank - himself a pianist and musician - travels and performs with her when he can. For their part,
the children lovingly support her work as a musician - even though it means that they are often deprived of their
mother’s presence. This is not to say that she is neglectful of the duties she performs as a mother, but it is to say that she has mastered the fine art of balancing a rich and rewarding professional life with that of a stable and happy home.
Perhaps her early experiences of traveling around the United States (because of her step-father’s work in Affirmative Action on behalf of the U. S. Airforce), and resultant exposure to a range of diverse cultural identities and modes of expression lay the groundwork for her unique ability to blend seemingly disparate and often contradictory elements with unusual success. It certainly seems to have informed her musicality. Her unique intermingling of jazz & gospel with contemporary and traditional sounds makes for a glorious musical mélange. As an example, consider her album You Gotta
Move in which she juxtaposes the high octane, heart thumping, powerhouse performances of well known numbers like ‘The Cry of the Poor’ against the mellow, soothing notes of her version of ‘[I] Surrender All’ which is rendered with such exquisite tenderness as to melt the most hardened of hearts. The other songs on this CD and Anointing (her most recent release), feature fresh takes on modern music, the melodic re-interpretation of Negro Spirituals and an innovative approach to presenting her own distinctive work. ValLimar remains firmly aware however, of what or rather, Who it is that provides the glue which keeps it all together. Bearing in mind that “gospel is the Good News set to music” and that Gospel music well done “leads the listener to Jesus”, she says earnestly that each performance “is about wanting desperately to disappear” so that God can “let [her] be a good vessel to channel the gift that [He] will give” to all who come within the reach of her
voice. She likes to begin each performance with a prayer and allows the Word of God (in the music) to speak for Itself even as she offers her work as prayer in praise of the Divine Majesty. This humility is born of a life rooted in the Word. Raised a Baptist, ValLimar says that she knew from her experience of the Roman Catholic Liturgy (the rites, ceremonies, prayers and sacraments of the Church), that spiritually she was home. She officially converted in 1991 and delights especially in the fact that having multiple avenues through which to explore and express one’s spirituality, demonstrates just how well the Church embraces everyone.
It is this attitude of loving embrace that led her to accept the invitation to come to St. Kitts and to perform for us as
part of the 150th Anniversary celebrations of Immaculate Conception Parish. She believes strongly in the ‘Great Commission’ given by Christ - to bring the Good News to everyone - and that conviction is what inspired the setting
of this concert.
Joining her here will be her friend and colleague Thomas Kendzia. Married with two children of his own, Tom as he prefers to be called, is himself an accomplished musician of many years’ standing. With over 100 pieces of lyrical & instrumental music published, and with numerous awards to his name, he brings a wealth of experience and a high
degree of professionalism to bear on his work. His career in religious music happened not so much as an accident, but rather as a natural unfolding over the course of a lifetime - he has always loved all kinds of music (including the Motown Sound, that of the Beatles as well as the work of Classical composers - Bach most notably among them), but in particular, he embraces the Irish music of his childhood home (his father is half Irish). Additionally, Tom has devoted his energies to the exploration and celebration of the varied sounds of the world’s many cultures. He indicated to me that he is particularly keen to hear some of the traditional music of St. Kitts so as to expand his considerable repertoire. When asked what he found most rewarding about his career as it is to date, he said that it is most gratifying “to hear people sing [his] music.” He referenced Fr. Liam Laughton, a priest in Ireland who utilizes the music from one of his productions in the Liturgy there. He goes on to state (without a trace of conceit) that it is now not at all uncommon to hear gospel & other types of contemporary music in Irish Catholic churches-due in part to his efforts. He also spoke of his joy in finding on a recent trip to Ireland, that in a culture not known for musical participation during the Mass, “the whole Church sang along” as a young vocalist rendered one of his songs. But, the deservéd adulation does not stop there. He also counts the director of music at St. Patrick’s Cathedral (Dr.Jennifer Pascual) as one of his fans and says simply that he is as happy to have his music utilized, as it most certainly is in that renowned house of worship, as he is to have it heard anywhere. However, like ValLimar, he is discomfited by the tendency of some modern religious artists to place the focus of their work on themselves. “I do my best to keep me out of the music I write” he says and goes on to add that he “become[s] uncomfortable when it starts to be about one person.” This is part of the reason why he does so much collaborative work, drawing on the substantial skill sets of a wide selection of multi-talented individuals. Their simple goal is to have the listener “experience the Spirit of God move.”
It is with this in mind, that under the Distinguished Patronage of His Excellency, Sir Cuthbert Sebastian Governor General of St. Kitts-Nevis, the Co-Cathedral of the Immaculate Conception invites the general public to an evening of soul-stirring and inspirational Gospel music at the Sir Cecil Jacobs (Eastern Caribbean Central Bank) Auditorium on Thursday, 12th June, 2008. From 7:00-9:00 pm you will be able to hear the LIVE performances of these two exemplary artistes who will share their magnificent music and sublime vocal abilities with us.
Tickets are only $50 for adults/$25 for children under 12 and are available through the Catholic Parish Office on East Independence Square Street. Call 465-2541 or 465- 2464 for more information.
In light of the world’s current unfortunate state - natural disasters that kill thousands in an instant and the ever increasing cost of oil and other necessities (caused in part by the machinations of the wealthiest and most powerful nations) - you are encouraged to bring your cares and concerns to this concert and allow them all to be swept up ‘In the Power of the Spirit.’
As ValLimar states so eloquently, “Jesus [will be there] and is ready to heal whatever is broken”.
GENERAL INFORMATION
You can find information about these artistes and hear samples of their music online at:
http://www.spiritandsong.com
http://www.ocp.org/artists/1592 Tom Kendzia
http://www.ocp.org/artists/62641 ValLimar Jansen
PLEASE NOTE: Seating is restricted by the size of the auditorium and is therefore, in limited supply - to secure your place, purchase your tickets TODAY. Proceeds in aid of the Church Renovation Fund
by Eleisa L. Maynard
To all in need of Good News, Greetings! To all who miss the spiritual aspect of the annual Music Festival, a word. Allow me a small amount of your time in which to introduce two premier performers of Gospel music who will be bringing their considerable talent to our shores for ONE NIGHT ONLY, this June. In the official Artist’s Biography presented by her promoters, ValLimar Jansen is referred to as a “highly regarded singer, cantor and recording artist. She is also a college professor, a leader of worship and prayer and a workshop presenter at conferences across the United States.” But that is
only a fraction of the story of the woman who has graced the world with her amazing voice.
Born in Killeen, Texas and raised for the most part in Alexandria, Louisiana by her mother and step-father, ValLimar has been singing sacred music since she was five years of age. She “received most of her training in music and performance at Howard University in Washington, D.C., and she holds professional degrees in the Arts from California State University and the University of California”. To date, she has “sung and toured professionally” as a recording artist, throughout the
United States, Europe and in Japan. Additionally, she was cast as Beneatha in the European premier of the Broadway production, Raisin and has co-authored “a onewoman musical about the life of Ethel Waters” - which “received special commendation from the Kennedy Center in Washington, D.C.” This is what is known about the public life of Mrs.
Jansen. However, in interviewing her for this article, I was pleased to discover that success notwithstanding, ValLimar remains a woman of simple yet powerful faith who considers herself blessed to be able to share her gift of music with others. Married since 1994 with three children, her family is based in California and is comprised entirely of artists.
Her husband Frank - himself a pianist and musician - travels and performs with her when he can. For their part,
the children lovingly support her work as a musician - even though it means that they are often deprived of their
mother’s presence. This is not to say that she is neglectful of the duties she performs as a mother, but it is to say that she has mastered the fine art of balancing a rich and rewarding professional life with that of a stable and happy home.
Perhaps her early experiences of traveling around the United States (because of her step-father’s work in Affirmative Action on behalf of the U. S. Airforce), and resultant exposure to a range of diverse cultural identities and modes of expression lay the groundwork for her unique ability to blend seemingly disparate and often contradictory elements with unusual success. It certainly seems to have informed her musicality. Her unique intermingling of jazz & gospel with contemporary and traditional sounds makes for a glorious musical mélange. As an example, consider her album You Gotta
Move in which she juxtaposes the high octane, heart thumping, powerhouse performances of well known numbers like ‘The Cry of the Poor’ against the mellow, soothing notes of her version of ‘[I] Surrender All’ which is rendered with such exquisite tenderness as to melt the most hardened of hearts. The other songs on this CD and Anointing (her most recent release), feature fresh takes on modern music, the melodic re-interpretation of Negro Spirituals and an innovative approach to presenting her own distinctive work. ValLimar remains firmly aware however, of what or rather, Who it is that provides the glue which keeps it all together. Bearing in mind that “gospel is the Good News set to music” and that Gospel music well done “leads the listener to Jesus”, she says earnestly that each performance “is about wanting desperately to disappear” so that God can “let [her] be a good vessel to channel the gift that [He] will give” to all who come within the reach of her
voice. She likes to begin each performance with a prayer and allows the Word of God (in the music) to speak for Itself even as she offers her work as prayer in praise of the Divine Majesty. This humility is born of a life rooted in the Word. Raised a Baptist, ValLimar says that she knew from her experience of the Roman Catholic Liturgy (the rites, ceremonies, prayers and sacraments of the Church), that spiritually she was home. She officially converted in 1991 and delights especially in the fact that having multiple avenues through which to explore and express one’s spirituality, demonstrates just how well the Church embraces everyone.
It is this attitude of loving embrace that led her to accept the invitation to come to St. Kitts and to perform for us as
part of the 150th Anniversary celebrations of Immaculate Conception Parish. She believes strongly in the ‘Great Commission’ given by Christ - to bring the Good News to everyone - and that conviction is what inspired the setting
of this concert.
Joining her here will be her friend and colleague Thomas Kendzia. Married with two children of his own, Tom as he prefers to be called, is himself an accomplished musician of many years’ standing. With over 100 pieces of lyrical & instrumental music published, and with numerous awards to his name, he brings a wealth of experience and a high
degree of professionalism to bear on his work. His career in religious music happened not so much as an accident, but rather as a natural unfolding over the course of a lifetime - he has always loved all kinds of music (including the Motown Sound, that of the Beatles as well as the work of Classical composers - Bach most notably among them), but in particular, he embraces the Irish music of his childhood home (his father is half Irish). Additionally, Tom has devoted his energies to the exploration and celebration of the varied sounds of the world’s many cultures. He indicated to me that he is particularly keen to hear some of the traditional music of St. Kitts so as to expand his considerable repertoire. When asked what he found most rewarding about his career as it is to date, he said that it is most gratifying “to hear people sing [his] music.” He referenced Fr. Liam Laughton, a priest in Ireland who utilizes the music from one of his productions in the Liturgy there. He goes on to state (without a trace of conceit) that it is now not at all uncommon to hear gospel & other types of contemporary music in Irish Catholic churches-due in part to his efforts. He also spoke of his joy in finding on a recent trip to Ireland, that in a culture not known for musical participation during the Mass, “the whole Church sang along” as a young vocalist rendered one of his songs. But, the deservéd adulation does not stop there. He also counts the director of music at St. Patrick’s Cathedral (Dr.Jennifer Pascual) as one of his fans and says simply that he is as happy to have his music utilized, as it most certainly is in that renowned house of worship, as he is to have it heard anywhere. However, like ValLimar, he is discomfited by the tendency of some modern religious artists to place the focus of their work on themselves. “I do my best to keep me out of the music I write” he says and goes on to add that he “become[s] uncomfortable when it starts to be about one person.” This is part of the reason why he does so much collaborative work, drawing on the substantial skill sets of a wide selection of multi-talented individuals. Their simple goal is to have the listener “experience the Spirit of God move.”
It is with this in mind, that under the Distinguished Patronage of His Excellency, Sir Cuthbert Sebastian Governor General of St. Kitts-Nevis, the Co-Cathedral of the Immaculate Conception invites the general public to an evening of soul-stirring and inspirational Gospel music at the Sir Cecil Jacobs (Eastern Caribbean Central Bank) Auditorium on Thursday, 12th June, 2008. From 7:00-9:00 pm you will be able to hear the LIVE performances of these two exemplary artistes who will share their magnificent music and sublime vocal abilities with us.
Tickets are only $50 for adults/$25 for children under 12 and are available through the Catholic Parish Office on East Independence Square Street. Call 465-2541 or 465- 2464 for more information.
In light of the world’s current unfortunate state - natural disasters that kill thousands in an instant and the ever increasing cost of oil and other necessities (caused in part by the machinations of the wealthiest and most powerful nations) - you are encouraged to bring your cares and concerns to this concert and allow them all to be swept up ‘In the Power of the Spirit.’
As ValLimar states so eloquently, “Jesus [will be there] and is ready to heal whatever is broken”.
GENERAL INFORMATION
You can find information about these artistes and hear samples of their music online at:
http://www.spiritandsong.com
http://www.ocp.org/artists/1592 Tom Kendzia
http://www.ocp.org/artists/62641 ValLimar Jansen
PLEASE NOTE: Seating is restricted by the size of the auditorium and is therefore, in limited supply - to secure your place, purchase your tickets TODAY. Proceeds in aid of the Church Renovation Fund
The Corpus Christi procession
The parishioners of the Immaculate Conception Co-cathedral has come as usually in big numbers for the Corpus Christi celebration and procession last Sunday, May 25. The Corpus Christi celebration always coinsides with the beginning of the hurricane season. Since 2004 the procession is devoted to special prayer and blessing for the safe passage through the hurrican season. Since we started the procession and prayer and the blessing with the monstrance of the four corners of St. Kitts from the centre of the Independence Square in St. Kitts we did not suffer any major hurricanes we hope that also this year Christ present to us always in the Holy Eucharist will protect us from any dangers this season.
First Communion
On Sunday, May 18, therteen of our children: 10 boys! and three girls recived the communion for the first time. They were well prepared by the catechists and Fr,. Bernard and were set as an example to other young and adult catholics of the reverend manner of how to receive communion. The clergy, Fr. bernard and Deacon James Matthew who celebrated 18th anniversary of his Diaconal ministry have put forward a challange to the young boys especially. mainly that at least one of them becomes a priest and one a permanent deacon. W'll see what the future will give.
Pentecost 2008
A MOUNTAIN TOP EXPERIENCE: CATHOLIC COMMUNITY CELEBRATES PENTECOST
By Lesroy W. Williams
Observer Reporter
(Sandy Point, St. Kitts)—The St. Kitts Catholic Community gathered together at Brimestone Hill for their annual Pentecost Mass and fellowship on Sunday May 11. Coming together were people from three parishes: The Co-Cathedral of the Immaculate Conception Parish in Basseterre, Sacred Heart Parish in Sandy Point /Old Road and Holy Family Parish in Molineux. In attendance was about 350 parishioners. Presiding at the Pentecost Eucharistic Celebration was Fr. Bernard Latus, SVD, assisted by Fr. Xuan Ho, SVD, Fr. Jan Pastuszczak SVD, Fr. Walter Mendonca, SVD, Deacon James Matthew, Acolytes Jefferson Fraites and Pierre Berry. Fr. Romil Aperocho, Parish Priest of Sacred Heart, was the homilist.
The Feast of Holy Pentecost is celebrated each year on the fiftieth day after the Great and Holy Feast of Pascha (Easter) and ten days after the Feast of the Ascension of Christ. The Feast is always celebrated on a Sunday.
The Feast commemorates the descent of the Holy Spirit upon the Apostles on the day of Pentecost, a feast of the Jewish tradition. It also celebrates the establishment of the Church through the preaching of the Apostles and the baptism of the thousands who on that day believed in the Gospel message of salvation through Jesus Christ. The Feast is also seen as the culmination of the revelation of the Holy Trinity. The story of Pentecost is found in the book of The Acts of the Apostles. In Chapter Two we are told that the Apostles of our Lord were gathered together in one place. Suddenly, a sound came from heaven like a rushing wind, filling the entire house where they were sitting. Then, tongues of fire appeared, and one sat upon each one of Apostles. They were all filled with the Holy Spirit and began to speak in other languages as directed by the Spirit (Acts 2:1-4).
This miraculous event occurred on the Jewish Feast of Pentecost, celebrated by the Jews on the fiftieth day after the Passover as the culmination of the Feast of Weeks (Exodus 34:22; Deuteronomy 16:10). The Feast of Weeks began on the third day after the Passover with the presentation of the first harvest sheaves to God, and it concluded on Pentecost with the offering of two loaves of unleavened bread, representing the first products of the harvest (Leviticus 23:17-20; Deuteronomy 16:9-10).
Since the Jewish Feast of Pentecost was a great pilgrimage feast, many people from throughout the Roman Empire were gathered in Jerusalem on this day. When the people in Jerusalem heard the sound, they came together and heard their own languages being spoken by the Apostles (Acts 2:5-6). The people were amazed, knowing that some of those speaking were Galileans, and not men who would normally speak many different languages. They wondered what this meant, and some even thought the Apostles were drunk (Acts 2:7-13).
Peter, hearing these remarks, stood up and addressed the crowd. He preached to the people regarding the Old Testament prophecies about the coming of the Holy Spirit. He spoke about Jesus Christ and His death and glorious Resurrection. Great conviction fell upon the people, and they asked the Apostles, "What shall we do?" Peter said to them, "Repent, and let every one of you be baptized in the name of Jesus Christ for the remission of sins; and you shall receive the gift of the Holy Spirit" (Acts 2:38-39).
The Bible records that on that day about 3,000 were baptized. Following, the book of Acts states that the newly baptized continued daily to hear the teaching of the Apostles, as the early Christians met together for fellowship, the breaking of bread, and for prayer. Many wonderful signs and miracles were done through the Apostles, and the Lord added to the
Church daily those who were being saved (Acts 2:42-47).
In his opening words at the Mass, Fr. Latus reminded the congregation that we are called to live and walk by the Spirit. The gathering in one place for the celebration of one Mass is symbolic of the Jews gathering in one place at Pentecost from different places within the Jewish diaspora and Jerusalem.
Fr. Romil in his homily said that Pentecost beckons us to be “instruments of unity.” The Spirit he said brings about unity among us. Those who are not of the Spirit are “instruments of division” he said.
He said that the mission of the Church is to unite people and to break down the barriers that divide us.
“All of us are one in the Spirit despite our culture, nationality, background, race and colour,” Fr. Romil said. “If we are one in the Spirit then we belong to the culture of Christ,” he continued.
“We must banish from among us the demons of hate, fear, division, indifference and prejudice and be united in our stand for justice, peace, equality and reconciliation,” he said.
The eucharistic service was punctuated with appropriate songs such as “One Bread, One Body” reminding us of our unity in Christ and “There’s A Sweet, Sweet Spirit” reminds us that like the Spirit we are called to have a sweet frangrance in our relationships with others. Mrs. Charmaine Donovan ably lead the combined choir.
The Feast of Pentecost this year coincided with Mother’s Day and mothers were recognized and appreciated. Rosemary Jordan Powell was awarded Mother of the Year by the Catholic Community for her outstanding life of faith and service.
After the Eucharist service, there was a Mother’s Day service that saw displays of African fashion wear,masquerade, songs and poems.
At the end of the day, it was truly a mountaintop experience
By Lesroy W. Williams
Observer Reporter
(Sandy Point, St. Kitts)—The St. Kitts Catholic Community gathered together at Brimestone Hill for their annual Pentecost Mass and fellowship on Sunday May 11. Coming together were people from three parishes: The Co-Cathedral of the Immaculate Conception Parish in Basseterre, Sacred Heart Parish in Sandy Point /Old Road and Holy Family Parish in Molineux. In attendance was about 350 parishioners. Presiding at the Pentecost Eucharistic Celebration was Fr. Bernard Latus, SVD, assisted by Fr. Xuan Ho, SVD, Fr. Jan Pastuszczak SVD, Fr. Walter Mendonca, SVD, Deacon James Matthew, Acolytes Jefferson Fraites and Pierre Berry. Fr. Romil Aperocho, Parish Priest of Sacred Heart, was the homilist.
The Feast of Holy Pentecost is celebrated each year on the fiftieth day after the Great and Holy Feast of Pascha (Easter) and ten days after the Feast of the Ascension of Christ. The Feast is always celebrated on a Sunday.
The Feast commemorates the descent of the Holy Spirit upon the Apostles on the day of Pentecost, a feast of the Jewish tradition. It also celebrates the establishment of the Church through the preaching of the Apostles and the baptism of the thousands who on that day believed in the Gospel message of salvation through Jesus Christ. The Feast is also seen as the culmination of the revelation of the Holy Trinity. The story of Pentecost is found in the book of The Acts of the Apostles. In Chapter Two we are told that the Apostles of our Lord were gathered together in one place. Suddenly, a sound came from heaven like a rushing wind, filling the entire house where they were sitting. Then, tongues of fire appeared, and one sat upon each one of Apostles. They were all filled with the Holy Spirit and began to speak in other languages as directed by the Spirit (Acts 2:1-4).
This miraculous event occurred on the Jewish Feast of Pentecost, celebrated by the Jews on the fiftieth day after the Passover as the culmination of the Feast of Weeks (Exodus 34:22; Deuteronomy 16:10). The Feast of Weeks began on the third day after the Passover with the presentation of the first harvest sheaves to God, and it concluded on Pentecost with the offering of two loaves of unleavened bread, representing the first products of the harvest (Leviticus 23:17-20; Deuteronomy 16:9-10).
Since the Jewish Feast of Pentecost was a great pilgrimage feast, many people from throughout the Roman Empire were gathered in Jerusalem on this day. When the people in Jerusalem heard the sound, they came together and heard their own languages being spoken by the Apostles (Acts 2:5-6). The people were amazed, knowing that some of those speaking were Galileans, and not men who would normally speak many different languages. They wondered what this meant, and some even thought the Apostles were drunk (Acts 2:7-13).
Peter, hearing these remarks, stood up and addressed the crowd. He preached to the people regarding the Old Testament prophecies about the coming of the Holy Spirit. He spoke about Jesus Christ and His death and glorious Resurrection. Great conviction fell upon the people, and they asked the Apostles, "What shall we do?" Peter said to them, "Repent, and let every one of you be baptized in the name of Jesus Christ for the remission of sins; and you shall receive the gift of the Holy Spirit" (Acts 2:38-39).
The Bible records that on that day about 3,000 were baptized. Following, the book of Acts states that the newly baptized continued daily to hear the teaching of the Apostles, as the early Christians met together for fellowship, the breaking of bread, and for prayer. Many wonderful signs and miracles were done through the Apostles, and the Lord added to the
Church daily those who were being saved (Acts 2:42-47).
In his opening words at the Mass, Fr. Latus reminded the congregation that we are called to live and walk by the Spirit. The gathering in one place for the celebration of one Mass is symbolic of the Jews gathering in one place at Pentecost from different places within the Jewish diaspora and Jerusalem.
Fr. Romil in his homily said that Pentecost beckons us to be “instruments of unity.” The Spirit he said brings about unity among us. Those who are not of the Spirit are “instruments of division” he said.
He said that the mission of the Church is to unite people and to break down the barriers that divide us.
“All of us are one in the Spirit despite our culture, nationality, background, race and colour,” Fr. Romil said. “If we are one in the Spirit then we belong to the culture of Christ,” he continued.
“We must banish from among us the demons of hate, fear, division, indifference and prejudice and be united in our stand for justice, peace, equality and reconciliation,” he said.
The eucharistic service was punctuated with appropriate songs such as “One Bread, One Body” reminding us of our unity in Christ and “There’s A Sweet, Sweet Spirit” reminds us that like the Spirit we are called to have a sweet frangrance in our relationships with others. Mrs. Charmaine Donovan ably lead the combined choir.
The Feast of Pentecost this year coincided with Mother’s Day and mothers were recognized and appreciated. Rosemary Jordan Powell was awarded Mother of the Year by the Catholic Community for her outstanding life of faith and service.
After the Eucharist service, there was a Mother’s Day service that saw displays of African fashion wear,masquerade, songs and poems.
At the end of the day, it was truly a mountaintop experience
Saturday, December 1, 2007
YouthQuake - a Big success
Youthquake a big success - over 300 young people registered and participated in a weekend retreat with Tim and Raquel from Hard As Nails Ministires from New York and Omar and Lease from the Movement in Barbados. MTV stile retreat with DJ and pure Gospel music rocked the Basseterre High School Auditorium on Friday night, November 9 and that lead to quiet reflection testimonies and Adoration of the Blessed sacrament with the private meeting with the Eucharistic Jesus. Saturday Morning after rousing Morning devotion to the Gospul Music the young people like there was a time to let out our hurts and the powerful witness from Raquel led to many puring out their hearts before others. Some too the opportunity to go to confession. The leeting out the hurts and opening the woulnds led many to tears and healing. After Lunch on Saturday there was a lot of group work and then writing and pinning to a big wooden cross our promises and self-offering to Jesus. The highlight of the day was the GrandRally through the streets of Basseterre, to the musing and rap of Omar and lyrics of Hard as Nails Ministry team. The youth were indeed "on Fire for Christ" in their white T-shirts with the Youthquake emblem in front and "Youth on Fire for Christ" at the back. Sunday mass was the official ending of the Retreat. The Co-cathedral church was full to the brim with young people. many of them stayed with the Retreat team throughout the morning and went for a beach nick in the afternoon. All are looking foraward to the next Youthquake and meanwhile to the Aftershocks which were promised. The first one coming soon.
Friday, September 21, 2007
The Neo-Catechumenal Way
In the months of October & Novemebr our parish will be embarking on new effort of new evangelization through the Neo-Catechumenal Way. A priest from the Diocese of Rome Fr. Charels Bell will be conductiong a series of sessions with testimonies and Kerygmatic preaching on Sundays and Tuesdays (6.00-700 pm) of October and November. All the initial sessions will be held in the Immaculate Conception Co-Cathedral. It is hoped that after those initial sessions a community will be established embarking on a journey of a systematic Catholic Formation.
All intersted persons are cordially invited!!!
Bleow there is some history of the Neocatechumenal Way:
1. The beginning: a theological –– catechetical synthesis
At the beginning of the Sixties, Kiko Argüello, a Spanish painter, after experiencing an existential crisis, discovered in the suffering of the innocent people the awesome mystery of the crucified Christ which is present in the ‘‘least’’ of the earth. Such a discovery made him abandon all things and following the footsteps of Charles de Foucauld, he went to live among the poor people of the slums of ‘‘ Palomeras Altas’’ in the outskirts of Madrid. It was there that another Spanish woman, Carmen Hernààndez, a graduate in Chemistry, came to know Kiko Argüüello. She had come in touch with the renewal of the Second Vatican Council thanks to Monsignor Farnéés Scherer ( a liturgist) and had been called by her bishop while trying to gather together a group of people with a view to evangelise the miners of Oruro ( Bolivia).
The environment of the slums was one of the most degraded in society, mainly made up of gypsies and ‘‘quinquis’’ (white nomads) as well as illiterate people, tramps, thieves, prostitutes, young delinquents, etc……
Kiko’’s artistic temperament, his existential experience, his previous formation as a catechist of the ‘‘Cursillos de Christianidad’’, Carmen’’s thrust for evangelisation –– formed in the Institute of the ‘‘Misioneras de Cristo Jesùùs’’- her theological preparation ( she has a licence in theology), her knowledge of the Paschal Mystery and the Liturgical renewal of the Vatican Council, together with the environment of ‘‘these poorest of the poor’’ of the earth were the elements that created the ‘‘humus’’, ‘‘the lab’’ in which a kerygmatic, theological –– catechetical synthesis came into being. Such synthesis would then become the back bone for the process of evangelisation of adult people later known as the Neocatechumenal Way.
2. For the Church and with the Church.
Faced with this kerygmatic synthesis the poor people of the slums did not defend themselves against it. On the contrary, they responded with immense gratitude and thus constituted a first Christian community. It is this community that gave birth to the first seed, the first ‘‘mustard seed’’ of something that today we can see has become a great tree full of fruits. That ‘‘seed’’ came to the notice of the Archbishop of Madrid, Monsignor Casimiro Morcillo, on the occasion of his visit to the slums. There he could personally witness the action of the Holy Spirit and consequently defended it, blessed it and identified it as a true realisation of the Council –– he had been, in fact, one of the General Secretaries of the Second Vatican Council. He then sent this seed to the parishes of Madrid with the recommendation that the parish priest should always be at its centre. At the same time he approved ‘‘ad experimentum’’ some necessary liturgical adaptations for a Christian initiation: the Word, the Liturgy and the Community.
3. From the slums to the parishes.
The Way which was born in the midst of so much suffering and among the poorest was brought to the parishes thanks to Don Casimiro Morcillo. The first parish to receive it was of an upper ––middle class type. It was there that Kiko, Carmen and some poor brothers from the slums were invited to speak about the Eucharist. In fact the parish priest of that parish had been greatly impressed by the power of the liturgy he had experienced in the slums. Later on, they were invited to Zamorra, a rural parish made up mostly of farmers and very religious people. Returning to Madrid, they had two more experiences: one in the parish of Pius XII among upper class people and the second at Canillejas, a dormitory like neighbourhood in the outskirts of the city and later in many other parishes
4. An itinerary appears.
The challenge faced by this catechetical synthesis brought by the group from the slums of Madrid soon revealed a particular tendency when coming in touch with parishes: the catecheses tended to be ‘‘dressed up’’ and transformed into conferences. Such conferences would enlighten the mind, enrich the culture but ultimately could not be understood as a way of self –– emptying, a kenosis whereby the old man is slowly brought to die in order to be filled by a new creation in the Holy Spirit. The social situation was already so serious that the necessity of an adult Christian became clearer and clearer: a Christian capable to respond to the signs of the time. In this way the renewal of Baptism appeared as an itinerary, a Way which fundamentally would lead to an adult faith capable of giving an answer to the epochal change that was taking place.
In the parishes many people who received the sacraments were insufficiently catechised and mostly ignorant of the contents of Baptism. By opening a way of Christian initiation such people would find, in a Post-Baptismal itinerary of a catechumenal type, the possibility to recovering the stages of Baptism already received as infants.
With respect to the neocatechumenal process, its fundamental stages, its permanent formation, a catechumenate for the non-baptised and service for catechetical activity, refer to the respective headings as found in he Statutes.
To Know more check: http://www.camminoneocatecumenale.it/en/index.asp
All intersted persons are cordially invited!!!
Bleow there is some history of the Neocatechumenal Way:
1. The beginning: a theological –– catechetical synthesis
At the beginning of the Sixties, Kiko Argüello, a Spanish painter, after experiencing an existential crisis, discovered in the suffering of the innocent people the awesome mystery of the crucified Christ which is present in the ‘‘least’’ of the earth. Such a discovery made him abandon all things and following the footsteps of Charles de Foucauld, he went to live among the poor people of the slums of ‘‘ Palomeras Altas’’ in the outskirts of Madrid. It was there that another Spanish woman, Carmen Hernààndez, a graduate in Chemistry, came to know Kiko Argüüello. She had come in touch with the renewal of the Second Vatican Council thanks to Monsignor Farnéés Scherer ( a liturgist) and had been called by her bishop while trying to gather together a group of people with a view to evangelise the miners of Oruro ( Bolivia).
The environment of the slums was one of the most degraded in society, mainly made up of gypsies and ‘‘quinquis’’ (white nomads) as well as illiterate people, tramps, thieves, prostitutes, young delinquents, etc……
Kiko’’s artistic temperament, his existential experience, his previous formation as a catechist of the ‘‘Cursillos de Christianidad’’, Carmen’’s thrust for evangelisation –– formed in the Institute of the ‘‘Misioneras de Cristo Jesùùs’’- her theological preparation ( she has a licence in theology), her knowledge of the Paschal Mystery and the Liturgical renewal of the Vatican Council, together with the environment of ‘‘these poorest of the poor’’ of the earth were the elements that created the ‘‘humus’’, ‘‘the lab’’ in which a kerygmatic, theological –– catechetical synthesis came into being. Such synthesis would then become the back bone for the process of evangelisation of adult people later known as the Neocatechumenal Way.
2. For the Church and with the Church.
Faced with this kerygmatic synthesis the poor people of the slums did not defend themselves against it. On the contrary, they responded with immense gratitude and thus constituted a first Christian community. It is this community that gave birth to the first seed, the first ‘‘mustard seed’’ of something that today we can see has become a great tree full of fruits. That ‘‘seed’’ came to the notice of the Archbishop of Madrid, Monsignor Casimiro Morcillo, on the occasion of his visit to the slums. There he could personally witness the action of the Holy Spirit and consequently defended it, blessed it and identified it as a true realisation of the Council –– he had been, in fact, one of the General Secretaries of the Second Vatican Council. He then sent this seed to the parishes of Madrid with the recommendation that the parish priest should always be at its centre. At the same time he approved ‘‘ad experimentum’’ some necessary liturgical adaptations for a Christian initiation: the Word, the Liturgy and the Community.
3. From the slums to the parishes.
The Way which was born in the midst of so much suffering and among the poorest was brought to the parishes thanks to Don Casimiro Morcillo. The first parish to receive it was of an upper ––middle class type. It was there that Kiko, Carmen and some poor brothers from the slums were invited to speak about the Eucharist. In fact the parish priest of that parish had been greatly impressed by the power of the liturgy he had experienced in the slums. Later on, they were invited to Zamorra, a rural parish made up mostly of farmers and very religious people. Returning to Madrid, they had two more experiences: one in the parish of Pius XII among upper class people and the second at Canillejas, a dormitory like neighbourhood in the outskirts of the city and later in many other parishes
4. An itinerary appears.
The challenge faced by this catechetical synthesis brought by the group from the slums of Madrid soon revealed a particular tendency when coming in touch with parishes: the catecheses tended to be ‘‘dressed up’’ and transformed into conferences. Such conferences would enlighten the mind, enrich the culture but ultimately could not be understood as a way of self –– emptying, a kenosis whereby the old man is slowly brought to die in order to be filled by a new creation in the Holy Spirit. The social situation was already so serious that the necessity of an adult Christian became clearer and clearer: a Christian capable to respond to the signs of the time. In this way the renewal of Baptism appeared as an itinerary, a Way which fundamentally would lead to an adult faith capable of giving an answer to the epochal change that was taking place.
In the parishes many people who received the sacraments were insufficiently catechised and mostly ignorant of the contents of Baptism. By opening a way of Christian initiation such people would find, in a Post-Baptismal itinerary of a catechumenal type, the possibility to recovering the stages of Baptism already received as infants.
With respect to the neocatechumenal process, its fundamental stages, its permanent formation, a catechumenate for the non-baptised and service for catechetical activity, refer to the respective headings as found in he Statutes.
To Know more check: http://www.camminoneocatecumenale.it/en/index.asp
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